English Literature GCSE WJEC EDUQAS
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Romeo And Juliet wjec-eduqas10 主题
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Romeo And Juliet Plot Summary wjec-eduqas Shakespeare
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Romeo And Juliet Quotations And Analysis wjec-eduqas Shakespeare
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Merchant Of Venice wjec-eduqas6 主题
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Twelfth Night Context wjec-eduqas Shakespeare
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Twelfth Night Writers Methods And Techniques wjec-eduqas Shakespeare
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Twelfth Night Key Theme Quotations wjec-eduqas Shakespeare
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Twelfth Night Key Character Quotations wjec-eduqas Shakespeare
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Twelfth Night Plot Summary wjec-eduqas Shakespeare
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Poetry Anthology Overview wjec-eduqas1 主题
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How To Answer The Poetry Anthology Questions wjec-eduqas3 主题
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Poetry Anthology wjec-eduqas18 主题
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As Imperceptibly As Grief Emily Dickinson wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Cozy Apologia Rita Dove wjec-eduqas Poetry-From-1789-To-The-Present-Day
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A Wife In London Thomas Hardy wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Afternoons Philip Larkin wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Dulce Et Decorum Est Wilfred Owen wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Living Space Imtiaz Dharker wjec-eduqas Poetry-From-1789-To-The-Present-Day
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The Soldier Rupert Brooke wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Sonnet 43 Elizabeth Barrett Browning wjec-eduqas Poetry-From-1789-To-The-Present-Day
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London William Blake wjec-eduqas Poetry-From-1789-To-The-Present-Day
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She Walks In Beauty Lord Byron wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Valentine Carol Ann Duffy wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Death Of A Naturalist Seamus Heaney wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Hawk Roosting Ted Hughes wjec-eduqas Poetry-From-1789-To-The-Present-Day
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To Autumn John Keats wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Excerpt From The Prelude William Wordsworth wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Mametz Wood Owen Sheers wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Ozymandias Percy Bysshe Shelley wjec-eduqas Poetry-From-1789-To-The-Present-Day
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The Manhunt Simon Armitage wjec-eduqas Poetry-From-1789-To-The-Present-Day
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As Imperceptibly As Grief Emily Dickinson wjec-eduqas Poetry-From-1789-To-The-Present-Day
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Post 1914 Prosedrama Overview wjec-eduqas1 主题
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How To Answer The Post 1914 Prosedrama Question wjec-eduqas3 主题
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An Inspector Calls wjec-eduqas6 主题
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An Inspector Calls Plot Summary wjec-eduqas Post-1914-Prosedrama
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An Inspector Calls Themes wjec-eduqas Post-1914-Prosedrama
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An Inspector Calls Context wjec-eduqas Post-1914-Prosedrama
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An Inspector Calls Writers Methods And Techniques wjec-eduqas Post-1914-Prosedrama
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Anita And Me wjec-eduqas6 主题
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Anita And Me Plot Summary wjec-eduqas Post-1914-Prosedrama
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Anita And Me Themes wjec-eduqas Post-1914-Prosedrama
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Anita And Me Characters wjec-eduqas Post-1914-Prosedrama
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Anita And Me Context wjec-eduqas Post-1914-Prosedrama
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Anita And Me Key Quotations wjec-eduqas Post-1914-Prosedrama
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The Curious Incident Of The Dog In The Night Time Playscript wjec-eduqas6 主题
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Blood Brothers wjec-eduqas6 主题
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Blood Brothers Plot Summary wjec-eduqas Post-1914-Prosedrama
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Blood Brothers Themes wjec-eduqas Post-1914-Prosedrama
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Blood Brothers Characters wjec-eduqas Post-1914-Prosedrama
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Blood Brothers Context wjec-eduqas Post-1914-Prosedrama
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Blood Brothers Writers Methods And Techniques wjec-eduqas Post-1914-Prosedrama
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Lord Of The Flies wjec-eduqas6 主题
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Lord Of The Flies Plot Summary wjec-eduqas Post-1914-Prosedrama
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Lord Of The Flies Themes wjec-eduqas Post-1914-Prosedrama
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Lord Of The Flies Characters wjec-eduqas Post-1914-Prosedrama
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Lord Of The Flies Context wjec-eduqas Post-1914-Prosedrama
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Lord Of The Flies Writers Methods And Techniques wjec-eduqas Post-1914-Prosedrama
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Lord Of The Flies Key Quotations wjec-eduqas Post-1914-Prosedrama
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Lord Of The Flies Plot Summary wjec-eduqas Post-1914-Prosedrama
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The Woman In Black wjec-eduqas7 主题
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The Women In Black Plot Summary wjec-eduqas Post-1914-Prosedrama
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The Woman In Black Themes wjec-eduqas Post-1914-Prosedrama
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The Woman In Black Key Character Quotation wjec-eduqas Post-1914-Prosedrama
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The Women In Black Characters wjec-eduqas Post-1914-Prosedrama
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The Woman In Black Context wjec-eduqas Post-1914-Prosedrama
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The Woman In Black Writers Methods And Techniques wjec-eduqas Post-1914-Prosedrama
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The Woman In Black Key Quotations wjec-eduqas Post-1914-Prosedrama
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The Women In Black Plot Summary wjec-eduqas Post-1914-Prosedrama
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Leave Taking wjec-eduqas6 主题
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Leave Taking Plot Summary wjec-eduqas Post-1914-Prosedrama
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Leave Taking Themes wjec-eduqas Post-1914-Prosedrama
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Leave Taking Characters wjec-eduqas Post-1914-Prosedrama
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Leave Taking Context wjec-eduqas Post-1914-Prosedrama
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Leave Taking Writers Methods And Techniques wjec-eduqas Post-1914-Prosedrama
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Leave Taking Key Theme Quotations wjec-eduqas Post-1914-Prosedrama
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Leave Taking Plot Summary wjec-eduqas Post-1914-Prosedrama
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19th Century Prose Overview wjec-eduqas1 主题
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A Christmas Carol wjec-eduqas9 主题
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A Christmas Carol Plot Summary wjec-eduqas 19th-Century-Prose
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A Christmas Carol Themes wjec-eduqas 19th-Century-Prose
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The Strange Case Of Dr Jekyll And Mr Hyde wjec-eduqas6 主题
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Dr Jekyll And Mr Hyde Plot Summary wjec-eduqas 19th-Century-Prose
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Dr Jekyll And Mr Hyde Characters wjec-eduqas 19th-Century-Prose
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The War Of The Worlds wjec-eduqas6 主题
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The War Of The Worlds Plot Summary wjec-eduqas 19th-Century-Prose
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The War Of The Worlds Themes wjec-eduqas 19th-Century-Prose
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Jane Eyre wjec-eduqas6 主题
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Jane Eyre Plot Summary wjec-eduqas 19th-Century-Prose
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Jane Eyre Themes wjec-eduqas 19th-Century-Prose
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Jane Eyre Context wjec-eduqas 19th-Century-Prose
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Jane Eyre Writers Methods And Techniques wjec-eduqas 19th-Century-Prose
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Silas Marner wjec-eduqas7 主题
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Silas Marner Plot Summary wjec-eduqas 19th-Century-Prose
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Silas Marner Themes wjec-eduqas 19th-Century-Prose
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Pride And Prejudice wjec-eduqas6 主题
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Pride And Prejudice Themes wjec-eduqas 19th-Century-Prose
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Romeo And Juliet Quotations And Analysis wjec-eduqas Shakespeare
Exam code:C720
Romeo and Juliet Quotations and Analysis
Romeo and Juliet essay questions on the Eduqas GCSE English Literature specification usually focus on one of three things:
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A theme
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A character
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A relationship between two or more characters
Examiners are looking for responses that “track” themes and characters through the play, so it is a good idea to learn quotations according to theme or character. As the exam focuses on analysis, it is useful to revise quotations in terms of their dramatic effects. This means you should understand not just what the words mean but how they are spoken, what they imply, and how they convey ideas to the audience. We’ve included eight of the best Romeo and Juliet quotes on this page, and we’ve organised them by the following characters:
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Romeo quotes
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Juliet quotes
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Tybalt quotes
Examiner Tips and Tricks
Eduqas examiners have frequently said that it is best to use short quotations as support for your points. Paragraphs with long quotations may mean that you miss the necessary close examination of a technique, or the connotation of a word.
This has two benefits:
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You can more easily embed the key word or phrase into your paragraphs
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You can see patterns across the character’s speech, or zoom into a technique
That’s why we’ve included a “key word or phrase” from every one of our longer quotations to help you memorise only the most important parts of each quotation.
Romeo quotes
“Here’s much to do with hate, but more with love” – Romeo, Act 1, Scene 1
Key word or phrase: “hate” and “love”
What the quotation means
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Romeo complains about the fight between the Montagues and Capulets, suggesting that the hatred they feel towards each other in fact stems from a stronger feeling of love
Analysis
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Romeo’s absence at the fight is noteworthy, and Shakespeare draws attention to this as characters ask where he is:
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This establishes Romeo as alone and isolated in his desire for peace
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This line portrays a frustrated yet intelligent Romeo, who considers how closely hate relates to love as he raises the play’s themes about binary opposites:
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The oxymoron in Romeo’s line places the opposing ideas of “hate” and “love” together, and suggests he understands that love can bring conflict
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Romeo’s characterisation (inclined to extreme emotions) is thus able to highlight the consequences of extreme love and hate
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However, Romeo also implies that love is a stronger emotion than hate (a position he attempts to hold throughout the play), which presents him as a sympathetic tragic hero
“But, soft! What light through yonder window breaks?/It is the east, and Juliet is the sun” – Romeo, Act 2, Scene 2
Key word or phrase: “light” and “sun”
What the quotation means
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Romeo, alone in the Capulet’s dark garden, sees a light and, thinking it may come from Juliet’s room, describes this as if Juliet is the rising sun
Analysis
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This is a good example of the importance of staging when you analyse quotes:
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If you consider that Romeo is in a dark garden and sees a light in Juliet’s bedroom, it can be argued that this line is humorous
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His metaphor, that Juliet is the rising sun, is witty as well as hyperbolic
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It is also a clear indication that he dismisses the danger of his circumstances
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The scene should be tense, but Romeo’s romantic language eases the tension:
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After an exclamation (perhaps conveying fright), he returns to romantic imagery
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This highlights the close connection between dark and light, and love and hate
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Additionally, Romeo’s use of natural imagery to describe Juliet, often comparing her to a bright light (or the sun as he does here), could connote to enlightenment:
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Earlier, Romeo prefers a dark room, an “artificial night”, but his melancholy lifts when he meets Juliet
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Contrasting imagery implies the dichotomies of their love, and Romeo’s extreme character
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“Call me but love, and I’ll be new baptiz’d” – Romeo, Act 2, Scene 2
Key word or phrase: “baptiz’d”
What the quotation means
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Romeo assures Juliet that he is committed despite the family feud, and says that if she calls him “love” he will rename himself (“new baptiz’d”) and no longer be called Romeo
Analysis
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Here, Romeo highlights one of the play’s key ideas about love and prejudice:
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Each from opposing families, their names stand in the way of their relationship
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In this scene, Romeo quite emphatically says he will “deny” his name
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Romeo refers to the religious act of baptism, in which one demonstrates commitment to a religion (it can also involve the giving of a name):
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Romeo’s words are dismissive of family honour and religious traditions
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In this way, Shakespeare’s Petrarchan lover defies the status quo
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Juliet quotes
“Proud can I never be of what I hate” – Juliet, Act 3, Scene 5
Key word or phrase: “proud” and “hate”
What the quotation means
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Juliet tells her father, Lord Capulet, that while she is thankful he has tried to find her a “worthy” husband, she cannot be “proud” because she hates the idea of marrying Paris
Analysis
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Here, Juliet’s emotive oxymoron (“proud” and “hate”) implies a dilemma:
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Her duty as a daughter is in contrast to what she loves
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Through Juliet’s defiant stand, illustrated here, Shakespeare raises questions about societal expectations regarding marriage:
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Remember, though, that while Elizabethan society was patriarchal, the concept of arranged marriage here refers to upper-class society (her father is a lord)
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In this dramatic scene, Juliet is pressured to explain why she is not grateful and happy:
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Juliet’s strong will is presented through the emphatic adverb “never”
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Juliet is portrayed as a victim of her father’s rage, which, in turn, isolates her
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This tense scene raises questions about family conflict and gender
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“That all the world will be in love with night,/And pay no worship to the garish sun” – Juliet, Act 3, Scene 2
Key word or phrase: “night” and “sun”
What the quotation means
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Juliet imagines Romeo’s death in a fantasy about her new husband’s return after dark
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She imagines Romeo becoming the stars, which will make heaven so beautiful that the world will prefer the night, finding daylight too bright and the sun too harsh (“garish”)
Analysis
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Juliet says this in a soliloquy, alone in her room and impatient to be with Romeo
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Her words draw attention to their secret love, perhaps relating to their very real circumstances, and that their love can only survive in the dark at night:
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The adjective “garish” to describe the sun is unusual, and could signify the harsh nature of the outside world as Romeo will be killed if he is found
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Her allusions mimic Romeo’s speech, perhaps implying the strength of their union
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Shakespeare’s use of dramatic irony in this scene, which follows Romeo’s violent confrontation, make Juliet’s words more dramatic:
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As well as the fact Romeo is currently at risk, the line foreshadows his death
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This highlights ideas about the relationship between love and hate
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“What must be shall be” – Juliet, Act 4, Scene 1
Key word or phrase: “must” and “shall”
What the quotation means
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Juliet remarks on the inevitability of the wedding between her and Paris
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She says that the future (what “shall be”) is already determined and has to happen
Analysis
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Juliet’s line is emphatic and, as the friar says in reply, suggests certainty:
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The modal verbs “must” and “shall” work together alongside the repeated “be” to convey Juliet’s acceptance of what she considers to be fateful circumstances
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However, Juliet’s certain future is not of her choosing:
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Her short statement suggests her negative attitude to the wedding
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She implies it is inevitable, as if predetermined by a force greater than her
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Shakespeare portrays Juliet’s sense of powerlessness and lack of autonomy in her world and, later, how this compels her to take desperate measures
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Tybalt quotes
“I will withdraw; but this intrusion shall/Now seeming sweet, convert to bitter’st gall” – Tybalt, Act 2, Scene 5
Key word or phrase: “sweet” and “gall”
What the quotation means
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Tybalt is forced to “withdraw” from conflict at the Capulet ball, but he adds in an aside that Romeo’s “intrusion”, now polite (“sweet”), will change to bitter resentment (“gall”)
Analysis
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Tybalt’s rhyming couplet is sinister and presents him, yet again, as hateful and bitter
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His intelligence and sophistication, however, is conveyed through oxymoronic imagery
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The superlative “bitter’st”, linked with “gall” (a bitter liquid in the stomach), shows Tybalt’s extreme physical reaction to Romeo’s uninvited arrival at his family’s home
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His character represents the hatred and prejudice that comes from the feud
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Shakespeare criticises these concepts via Tybalt’s characterisation as a vengeful villain
“Romeo, the love I bear thee can afford/No better term than this: thou art a villain” – Tybalt, Act 3, Scene 1
Key word or phrase: “villain”
What the quotation means
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Tybalt attempts to provoke Romeo with an insult, calling him a “villain”, a colloquial term for a scoundrel or peasant (today we may translate this as “scum”)
Analysis
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Tybalt begins his insult with the emotive word “love” to set up his dramatic summary of his hatred for Romeo
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He explains that he hates Romeo because he is of low rank and acts without manners:
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This refers, perhaps, to Romeo’s uninvited arrival at the Capulet ball
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It also signifies Tybalt’s sense of family honour, which, Shakespeare later illustrates, leads to the death of two young men
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One could also interpret Tybalt’s words in terms of his hatred for Romeo as a Montague, (although he appears particularly to hate Romeo), singling him out as “my man”:
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This highlights his prejudice, and need for blind revenge
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Sources
Shakespeare, William. Complete Works of William Shakespeare. Edited by Peter Alexander, HarperCollins, 1994. Accessed 26 March 2024
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