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English Literature GCSE WJEC EDUQAS

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Exam code:C720

How to Write a Grade 9 19th-Century Prose Essay 

To get a Grade 9 in the 19th-century prose section of the Eduqas GCSE English Literature exam, you need to know how to write an effective essay. 

In Component 2, Section B, you are assessed on three assessment objectives (AO1, AO2 and AO3). AO1 requires you to write an informed personal response and AO2 requires you to comment on the form, structure and language of the text. AO3 requires you to comment on the relationship between the text and the context in which it was written.

Find out how to approach the exam question:

  • Exam skill 1: Developing an informed personal response (AO1)

  • Exam skill 2: Analysing form, structure and language (AO2)

  • Exam skill 3: Understanding the relationship between a text and its context (AO3)

  • Integrating AO1, AO2 and AO3

Exam skill 1: Developing an informed personal response 

 In Section B, you should focus on the plot, setting, characters and themes of the novel you have studied. 

AO1 requires you to show a close knowledge and understanding of your prose text, maintain a critical style and present an informed personal response. Writing an “informed personal response” means offering your individual thoughts and feelings about your prose text. A “critical style” means offering unique insights, interpretations or sharing the connections you draw from the text.

Let’s look at the type of question you could be asked in Section B. This extract is based on The Strange Case of Dr Jekyll and Mr Hyde and focuses on how Dr Jekyll is presented.

A FORTNIGHT LATER, by excellent good fortune, the doctor gave one of his pleasant dinners to some five or six old cronies, all intelligent reputable men, and all judges of good wine; and Mr Utterson so contrived that he remained behind after the others had departed. This was no new arrangement, but a thing that had befallen many scores of times. Where Utterson was liked, he was liked well. Hosts loved to detain the dry lawyer, when the light-hearted and the loose-tongued had already their foot on the threshold; they liked to sit awhile in his unobtrusive company, practising for solitude, sobering their minds in the man’s rich silence, after the expense and strain of gaiety. To this rule Dr Jekyll was no exception; and as he now sat on the opposite side of the fire — a large, well-made, smooth-faced man of fifty, with something of a slyish cast perhaps, but every mark of capacity and kindness — you could see by his looks that he cherished for Mr Utterson a sincere and warm affection.

‘I have been wanting to speak to you,Jekyll,’ began the latter. ‘You know that will of yours?’

A close observer might have gathered that the topic was distasteful; but the doctor carried it off gaily. ‘My poor Utterson,’ said he, ‘you are unfortunate in such a client. I never saw a man so distressed as you were by my will; unless it were that hide-bound pedant, Lanyon, at what he called my scientific heresies. O, I know he’s a good fellow — you needn’t frown — an excellent fellow, and I always mean to see more of him; but a hide-bound pedant for all that; an ignorant, blatant pedant. I was never more disappointed in any man than Lanyon.’ 

‘You know I never approved of it,’ pursued Utterson, ruthlessly disregarding the fresh topic.

‘My will? Yes, certainly, I know that,’ said the doctor, a trifle sharply. ‘You have told me so.’

‘Well, I tell you so again,’ continued the lawyer. ‘I have been learning something of young Hyde.’ 

The large handsome face of Dr Jekyll grew pale to the very lips, and there came a blackness about his eyes. ‘I do not care to hear more,’ said he. ‘This is a matter I thought we had agreed to drop.’ 

‘What I heard was abominable,’ said Utterson. 

‘It can make no change. You do not understand my position,’ returned the doctor, with a certain incoherency of manner. ‘I am painfully situated, Utterson; my position is a very strange — a very strange one. It is one of those affairs that cannot be mended by talking.’

Consider this sample answer which addresses the skills required for AO1.

Question focus

AO1: Informed personal response (Grade 9)

Write about Dr Jekyll and how he is presented at different points in the novel.

In this extract, Jekyll is portrayed as a well-respected and affable gentleman and his description suggests that he is full of respectability and charm. While Jekyll is presented as a gentleman, Stevenson also hints at his cunning, secretive and deceitful nature by stating that he had “something of a slyish cast perhaps” which alludes to the dual aspect of his character. [Engages with alternative interpretations of Stevenson’s characterisation of Dr Jekyll (AO1)] Jekyll’s demeanour changes dramatically when the conversation turns to Hyde and the contrast between Jekyll’s outward respectability and Hyde’s sinister presence signifies the duality of human nature. Throughout the novella, Jekyll is presented as a respected member of society representing good, while Hyde is depicted as a manifestation of evil. [Demonstrates an evaluative approach, exploring the theme of good and evil (AO1)] Jekyll thus finds himself living a double life and he is unable to reconcile the two sides of his character. On the one hand he wishes to be a respected doctor adhering to the highest moral standards; however, he also yearns to engage in malevolent acts. 

As the novella progresses, Jekyll’s behaviour becomes increasingly erratic and unpredictable and by Chapter Five, it is evident that Hyde is having a detrimental influence over Jekyll. This is evident as Jekyll becomes increasingly isolated and is deeply perturbed when his transformation into Hyde occurs without his chemical concoction. At this point in the novella, the reader is unaware of who Hyde is as the true nature of Jekyll and Hyde’s relationship is only finally revealed to the reader in the final chapter, though Stevenson does give hints to this throughout the narrative. [Sustained focus on the question with pertinent, direct references (these don’t need to be quotes) from across the text (AO1)]

When approaching AO1, you need to ensure your response focuses on the question. Your textual references should be accurate and discerning and fully support the points you make. Any quotations you choose to use should always be directly relevant to the focus of the question, but you don’t always need to use quotations to score highly for AO1. Referring to plot points can be just as successful.

Exam skill 2: Analysing form, structure and language (AO2)

For AO2, you should consider how form, structure and language are used to present ideas.

Form and structure

Form relates to the way in which the text is presented, such as in the form of prose, poetry or drama, for example. Structure relates to how the information within the text is organised. Both of these aspects are intertwined and so the form of a text will influence its structure.

Structural techniques can be at:

  • Whole-text level:

    • For example: beginnings, endings and shifts in focus

  • Paragraph level:

    • For example: perspective changes, single-sentence paragraphs

  • Sentence level:

    • For example: sentence lengths 

If you are familiar with key structural terms, you will find it easier to analyse your text more effectively, but it’s important to use terminology only when relevant, and to enhance the point you are making.

Here is a list of some structural techniques which the writer of your text may have used. Think about why the writer may have used these devices and what effect they might have on the reader.

Structural techniques

Openings

Endings

Foreshadowing

Juxtaposition

Chronological (linear) structure 

Flashback / flash forward

Cyclical structure

Parallelism

Let’s look at the novel Great Expectations by Charles Dickens and consider some features that relate to the form and structure of this text.

Text

Great Expectations

Form and structure features

  • Novella

  • Divided into staves

  • Non-linear structure

  • Allegorical tale

  • Flashbacks

  • Circular structure

Consider this paragraph which explores why Dickens uses this particular form and structure, while exploring the character of Scrooge.

Question focus

Analysis of form and structure (AO2)

How does Dickens present Scrooge’s transformation in Great Expectations?

In Dickens’ novella A Christmas Carol, the writer employs a circular structure to illustrate the transformation in Scrooge’s character: he is first presented as a misanthropic businessman who is miserly, callous and unsympathetic and by the end, he has been transformed into a charitable philanthropist. [Explores the structural aspect of the narrative to depict Scrooge’s transformation (AO2)] The novella has a non-linear structure and although it is set in Scrooge’s present, the visions are set in different periods of time: the past, the present and the future.This enables the reader to witness the events and experiences that have shaped Scrooge into the bitter and miserly man that he is presented as being at the beginning of the narrative. Dickens also plays around with the concept of time which adds to the element of confusion that Scrooge experiences. [Evaluates the way meaning and ideas are conveyed through the manipulation of time to reflect Scrooge’s confusion (AO2)] The narrative unfolds over the course of a single night and it progresses through the different stages of Scrooge’s spiritual awakening. Dickens exploits the technique of flashback to depict Scrooge’s past, particularly his lonely childhood and his lost love Belle, which elicits empathy from the reader. The novella is an allegorical tale and Dickens uses this genre to convey his message of redemption and that everyone is capable of change. [Evaluates the use of genre to convey the central theme of redemption (AO2)]

Try to evaluate the relationship between form and structure and their effect on the reader and make sure that, if you use subject terminology, you relate your point closely to the text. 

Language

Being familiar with key literary terms can also help to support your analysis of your text. You always need to discuss the effects of the terms the writer uses, so focus on the impact on the reader. Analysing language means that you consider the deliberate choices the writers have made to include specific words or phrases in their texts and why.

As an example, we will explore some specific literary techniques using the same extract from The Strange Case of Dr Jekyll and Mr Hyde.

Language technique(s)

Examples

Language comments

Repetition, dashes, adverb, imagery, third-person perspective, dialogue

“a slyish cast”

“my position is a very strange — a very strange one”

“a trifle sharply”

“there came a blackness about his eyes”

“was wild when he was young”

  • Repetition and dashes convey his confusion and uncertainty

  • Adverb suggests a suddenness

  • Imagery hints at darker aspects to his character

  • Dialogue adds element of realism and the third-person perspective suggests objectivity

The examiner expects you to comment on how writers use language for effect. Throughout your response, add your own interpretation and ensure that all of your points are fully developed.

Review this model paragraph to see how to use literary terms in your analysis.

Question focus

Analysis of language (AO2)

Write about Dr Jekyll and how he is presented at different points in the novel.

Jekyll is first depicted as a model Victorian gentleman: he is well-mannered, has a wide circle of acquaintances and is religious. He is introduced as a “charitable man” and in the extract he is described as having “something of a slyish cast perhaps, but every mark of capacity and kindness”. While Jekyll is presented as a gentleman, Stevenson also hints at his cunning, secretive and deceitful nature through the description of his “slyish cast” which alludes to the dual aspect of his character. Throughout the narrative, Stevenson provides other hints about Jekyll’s character which indicate an alternative side to his character. For example, it is stated that he “was wild when he was young”. The adjective “wild” alludes to an untamed nature or reckless behaviour which is in contrast to the outward “respectability” of Jekyll. [Analyses how language is used by Stevenson to hint at Jekyll’s hidden nature (AO2)] 

Jekyll’s demeanour changes dramatically when the dialogue focuses on Hyde. He is described as replying “a trifle sharply” and that “there came a blackness about his eyes”. The adverb “sharply” suggests Jekyll responds to Utterson with a sudden and unexpected aggression which reveals his unease and perhaps defensiveness. The imagery of “blackness” alludes to an unsettling transformation and hints at the darker aspects of Jekyll’s character which he struggles to suppress. The juxtaposition between Jekyll’s outward respectability and Hyde’s sinister presence signifies the duality of human nature. [Assured references to the use of imagery to convey the darker aspects of Jekll’s character (AO2)]

Examiner Tips and Tricks

When you begin to analyse the extract, you need to identify which parts of the extract and the text will help you to respond to the question you are answering. When you have done that, you can begin to select quotations to support your choices. Remember, choosing what to analyse in your response requires careful consideration of the question.

Exam skill 3: Understanding the relationship between a text and its context (AO3)

If you understand how to incorporate contextual understanding of your studied text effectively into your essay, it can boost your mark in AO1 and help you create a more sophisticated response.

When exploring context you should think about:

  • The writer’s own life and situation, including the place and time of writing, but only where these relate to the text

  • The historical setting, time and location of the text

  • Social and cultural contexts (for example, attitudes in society; expectations of different cultural groups)

  • The literary context of the text. For example, the literary movement or genre the text belongs to

  • The way in which texts are received and engaged with by different audiences, at different times (for example, how a text may be read differently by audiences in the 21st century and the 1800s)

As an example, we will explore some contextual factors for the same Jekyll and Hyde question which addresses the skills required for AO3.

Question focus

Relationship between a text and its context (AO3)

Write about Dr Jekyll and how he is presented at different points in the novel.

Repression is evident in the character of Dr Jekyll who can not suppress his inner desires, which results in the creation of Hyde. The period in which the novel is set is significant as Jekyll’s behaviour represents the dominant social and individual morality in Victorian England. The strict nature of Victorian society could be seen to have resulted in individuals having to suppress an element of their character in order to appear respectable within society. 

Jekyll is presented as a highly intelligent scientist with an inquiring mind and his motivation for creating Hyde demonstrates his ability to challenge societal beliefs concerning science and religion. The 19th century was a time of great exploration and discovery and, in particular, science, medicine and psychology were all undergoing rapid changes and advances. 

Hyde could be seen as a manifestation of Jekyll’s madness and the emergence of the field of psychology in this era presented a distinct philosophical challenge to the existing understanding of mental processes. The development of insane asylums (including new definitions of and treatments for madness) became a significant feature of Victorian society. 

Integrating AO1, AO2 and AO3

When responding to the question, it is vital that you embed AO1, AO2 and AO3 comments throughout your response. The most successful responses integrate references to context throughout, often using context to support and develop points for AO1 and AO2.

Look at this question from the June 2022 past paper (which, along with the extract, can be found here). It focuses on how Dickens presents different views about poverty and the poor. 

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