Exam code:1ET0
‘Extract from The Prelude’
Your Edexcel GCSE English Literature poetry anthology contains 15 poems, and in your exam you will be given one poem – printed in full – and asked to compare it to another one from the anthology. As this is a “closed book” exam, you will not have access to the second poem, so you will need to know it from memory. Fifteen poems is a lot to revise. However, if you understand these four essential things about each poem, you will be able to produce a top-grade response:
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The meaning of the poem
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The ideas and messages the poet wanted to convey
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How the poet uses poetic methods to convey these ideas and messages
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How the ideas and themes in each poem compare and contrast with the ideas and themes of the other poems in the anthology
Here is a guide to William Wordsworth’s ‘Extract from The Prelude’ (also known as ‘Boat Stealing’), from the Conflict Anthology. It includes the following sections:
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Overview: a breakdown of the poem, including its possible meanings and interpretations
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Writer’s methods: an analysis of the poet’s techniques and methods
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Context: an exploration of the poem’s context in relation to its themes
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What to compare it to: suggestions about which poems to compare it to in the exam
The poem is from Edexcel’s poetry anthology (opens in a new tab).
Examiner Tips and Tricks
The exam asks you to compare the key themes in ‘The Prelude’ with one other poem from the Conflict Anthology; specifically, how each poem presents ideas about conflict.
Look at the section on “What to compare it to” for detailed suggestions about comparing ‘The Prelude’ with other poems from the anthology. If ‘The Prelude’ is the printed poem on your exam paper, it’s a good idea to start your answer by stating which poem you are going to compare it to, and why. For instance, you could compare ‘The Prelude’ with another poem that focuses on natural imagery and emotional expression, such as William Blake’s ‘A Poison Tree’.
Overview
In order to answer an essay question on any poem, it is essential that you understand what it is about. This section includes:
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The poem in a nutshell
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An explanation of the poem, section-by-section
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An outline of Wordsworth’s intention and message in each of these sections
‘The Prelude’ in a nutshell
‘The Prelude’ is different from the other poems in the anthology. Instead of being a stand-alone poem, it is an extract from a much longer, autobiographical, epic poem by William Wordsworth. The speaker in the poem is remembering a night when, as a young boy, he stole a boat and rowed out into the middle of a lake. At first, he finds this exciting, but then he becomes frightened by the sight of a huge mountain and rows back to shore. The memory of the mountain stays in his mind for days.
The overall idea is that Wordsworth feels confident when he takes the boat out to the lake, but his feelings change when he encounters the vast and imposing mountain, as it reminds him of the fragility of human beings compared with the awesome and enduring power of nature. Therefore, the main themes in the poem are the power of nature and the realisation of the speaker’s insignificance compared to nature.
‘The Prelude’ breakdown
Lines 1–16
“One summer evening (led by her) I found
A little boat tied to a willow tree
Within a rocky cove, its usual home.
Straight I unloosed her chain, and stepping in
Pushed from the shore. It was an act of stealth
And troubled pleasure, nor without the voice
Of mountain-echoes did my boat move on;
Leaving behind her still, on either side,
Small circles glittering idly in the moon,
Until they melted all into one track
Of sparkling light. But now, like one who rows,
Proud of his skill, to reach a chosen point
With an unswerving line, I fixed my view
Upon the summit of a craggy ridge,
The horizon’s utmost boundary; far above
Was nothing but the stars and the grey sky.”
Explanation
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One summer night, the speaker is guided by nature to a rocky bay, where he finds a boat tied to a willow tree
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The speaker unties the boat and steals it
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He knows that he shouldn’t steal the boat, but he enjoys doing it
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The surrounding mountains create echoes of the boy’s movements across the water
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The oars leave circular ripples in the water that glitter in the moonlight, and merge into one in the wake of the boat
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The speaker feels proud of his rowing skills and focuses on the jagged edge of a distant mountain to keep him rowing in a straight line
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The mountain edge is the highest point he can see on the horizon; there is nothing but stars and sky above it
Wordsworth’s intention
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The “her” in the first line is Wordsworth’s way of referring to Nature:
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Nature is seen as a feminine power – Mother Nature – that creates, sustains and nurtures life
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By personifying nature, Wordsworth is contrasting it with individual human beings:
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Nature controls the entire planet, making it a far greater power than humanity
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At the beginning of the poem, the speaker’s relationship with nature is trusting and peaceful
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The poet paints a tranquil and beautiful picture of nature and a young boy’s ability to engage with it
Lines 17–20
“She was an elfin pinnace; lustily
I dipped my oars into the silent lake,
And, as I rose upon the stroke, my boat
Went heaving through the water like a swan;”
Explanation
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The speaker describes his little boat as an “elfin pinnace”; to him, it’s like an elf’s boat
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The boy’s enthusiastic and confident rowing makes his boat move fast through the water “like a swan”
Wordsworth’s intention
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These lines reveal the boy’s delight that he can exercise some power over nature
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However, his sense of control is an illusion:
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Nature is guiding him, so ultimately controls his movements
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Lines 21–31
“When from behind that craggy steep till then
The horizon’s bound, a huge peak, black and huge,
As if with voluntary power instinct,
Upreared its head. I struck and struck again,
And growing still in stature the grim shape
Towered up between me and the stars, and still,
For so it seemed, with purpose of its own
And measured motion like a living thing,
Strode after me. With trembling oars I turned,
And through the silent water stole my way
Back to the covert of the willow tree;”
Explanation
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The jagged edge of the mountain is the highest thing the boy can see, until he gets closer
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Close up, an even bigger mountain appears behind the edge; it is black and giant:
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This mountain seems to lift its head up as if it were alive
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As the speaker rows on, the mountain gets bigger and bigger, blocking out the stars
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The mountain seems to want to pursue the speaker, whose terrified trembling makes his oars shake
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The speaker turns the boat around and rows back to the safety of the willow tree
Wordsworth’s intention
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Wordsworth hides the mountain behind the crag like a monster waiting to pounce
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The true, hidden power of nature is revealed by the mountain’s appearance
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At first, nature was encouraging the speaker, but now it seems to be threatening him
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Wordsworth personifies the mountain as a wild creature with a “purpose of its own”
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This changes the boy’s encounter with nature from calm to unexpectedly frightening
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Wordsworth is revealing that nature is not always a friendly force
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Nature’s power is mysterious:
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It can be beautiful and enjoyable, but it can also be terrifying
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Lines 32–44
“There in her mooring-place I left my bark, –
And through the meadows homeward went, in grave
And serious mood; but after I had seen
That spectacle, for many days, my brain
Worked with a dim and undetermined sense
Of unknown modes of being; o’er my thoughts
There hung a darkness, call it solitude
Or blank desertion. No familiar shapes
Remained, no pleasant images of trees,
Of sea or sky, no colours of green fields;
But huge and mighty forms, that do not live
Like living men, moved slowly through the mind
By day, and were a trouble to my dreams.”
Explanation
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The speaker ties the boat back up and walks home in a serious mood
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After this experience, the speaker is troubled by thoughts of things he knew nothing about, and he struggles to understand them:
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These are the “unknown modes of being” in the world
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His thoughts are clouded by a kind of darkness, which feels like being alone or abandoned
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He can no longer imagine nature as simply beautiful and comforting
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Now, he can only think about giant, strange, powerful shapes, which give him nightmares
Wordsworth’s intention
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These lines reveal the effect the experience has on the speaker
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He realises that his previous understanding of nature was mistaken
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He has seen that there are strange and unexpected aspects of nature
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This reinforces the message that nature is something to be feared as well as enjoyed
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This also symbolises a turning point for the boy, as his childhood innocence becomes a more adult reality
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He no longer feels safe in his relationship with nature, which he now sees as unpredictable
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This change symbolises the transition from childhood to adulthood, as the speaker is never able to see the world through a child’s eyes again
Writer’s methods
Although this section is organised into three separate sections – form, structure and language – it is important to take an integrated approach to AO2. First, focus on the main themes of the poem, then, evaluate how Wordsworth’s language, structure and form contribute to these themes. Think about how and why the poet has made the choices they have in relation to their message and intentions.
Focusing on the themes, rather than individual poetic techniques, will gain you far more marks. In the following sections, all analysis is arranged by theme, and includes Wordsworth’s intentions behind his choices of:
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Form
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Structure
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Language
Examiner Tips and Tricks
To gain the highest marks in the exam, aim to use subject terminology judiciously. This means you should only use subject terminology when it is directly relevant to your analysis of the poem’s themes. Examiners don’t want to see “technique spotting”, where a student identifies the use of, for instance, personification or metaphor without any analysis of how the poet uses that technique to convey their meaning.
For example, instead of writing “Wordsworth uses blank verse”, you could state that “Wordsworth’s use of blank verse suggests the natural rhythms of speech and the process of his internal monologue”. Then provide an example from the extract to support your statement. Aim to use terminology to add insight and complexity to your analysis.
Form
It is important to remember that this extract is part of a much longer narrative poem. It has no stanzas, which reminds the reader that this is a single, contained incident from a much longer work. There are some useful comments you can make about why Wordsworth may have used blank verse and iambic pentameter to explore the development of his imagination and spiritual growth in relation to his experience of nature.
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Theme |
Evidence |
Poet’s intention |
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Experience of the power of nature |
Wordsworth uses blank verse written in iambic pentameter |
This means the lines do not follow a specific rhyme scheme, but are written in iambic pentameter |
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Iambic pentameter is the closest rhythm to natural speech, which reinforces the sense of self-reflection and the poet’s inner monologue |
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The poet wants to describe his inner processes:
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Structure
Wordsworth has structured the poem as a single stanza, with no line breaks; this continuity emphasises the overwhelming power of nature, and the mood of the poem changes as it progresses to reflect the change that the speaker experiences within himself.
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Theme |
Evidence |
Poet’s intention |
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The power of nature
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The poem is written as a single stanza with no breaks or pauses
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The poet creates a sense of breathlessness to convey the overwhelming intensity of the experience he depicts |
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This reflects how Wordsworth was overwhelmed by the immensity of the mountain and the power of nature |
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Wordsworth was heavily influenced by Milton’s ‘Paradise Lost’, which is another epic poem written in long stanzas, about the biblical fall of man |
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Wordsworth’s epic poem also contemplates human imperfection in comparison with nature’s perfection, as well as the important transition from childhood to adulthood |
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Inner conflict and change
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Wordsworth uses a cyclical structure, as the extract begins and ends with the mooring of the boat
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This emphasises the change that takes place during the journey |
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However, because the poem starts and finishes at the same place, the change is internal and psychological, rather than external and physical |
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The boy initially steals the boat, then “stole” (moved quietly to avoid detection) back to safety:
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The poet also employs enjambment in the poem:
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This makes the poem feel like a stream of consciousness, as the speaker tries to convey the importance of his experience and his thought processes as directly as possible |
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Therefore, the poem follows its speaker’s wandering thoughts and experiences |
Language
Wordsworth explores his spiritual journey further through his use of language devices, which emphasise the speaker’s confrontation with the power and supremacy of nature and the conflict between childhood and adulthood.
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Theme |
Evidence |
Poet’s intention |
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Power and supremacy of nature
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Wordsworth uses the motif of rowing to demonstrate the transformation the speaker goes through
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At the start, the speaker is at one with nature, as his oar strokes “melted all into one track”, showing just how easily he is able to move through the water |
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His rowing becomes more difficult after seeing the mountain, when he starts “heaving through the water”:
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The initial calm and relaxed rowing is contrasted with the frantic rowing back to shore, demonstrated through the repetition of “struck” |
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The use of this motif contrasts how the speaker behaves before and after his encounter with the power of nature |
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Wordsworth also uses personification to describe nature:
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This alludes to the idea of Mother Nature – nature as a feminine force, capable of creating, sustaining and nurturing life |
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The poet is able to contrast the role of a human mother, nurturing her own children, with Mother Nature, who controls an entire planet, thus demonstrating its superior power |
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The fact that the speaker is “led” by nature also reinforces its power, as the speaker is not responsible for his actions |
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Female personification continues when referring to the boat as “she” and “her” |
This implies a connection between nature and the boat, suggesting that it adds to nature’s beauty by creating “one track/Of sparkling light” |
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The poet uses the imagery of the mountain as a living thing, as it “Upreared its head” and “strode after me” |
It is as though nature is pursuing the speaker with strength and determination, personifying and reinforcing the power of the mountain |
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The poet employs the use of similes, for example through the phrases “like a swan”, “like a living thing” and “like one who rows,/Prou |
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