Task 2: How to Get Full Marks
Regardless of which topic you are studying, the type of question asked for the second task will always be the same. You will be asked to write a comparative analysis of one of the two core texts for your topic with at least one other text from your topic area, in response to a statement or proposition.
It is tempting to jump straight in and start writing immediately. However, following this guide will ensure you answer the question in the way the examiners are looking for.
Below you will find sections on:
-
What skills are required
-
Steps for success
What skills are required
Each question on your exam paper has a dominant assessment objective. For this task, the dominant objective is AO3, which requires you to demonstrate a detailed understanding of the significance and influence of the contexts in which literary texts are written and received as appropriate to the question. The subordinate assessment objective being AO4, which requires you to also engage in a detailed comparative analysis of the relationships between texts.
The minor objectives for this task are AO5 and AO1. AO5 asks you to incorporate an exploration of different interpretations of texts in your answer, considering critical approaches and theories in relation to the focus of the question. AO1 assesses you on the way you present your response, in an accurate, well-structured and coherent manner, so as long as you keep your response sharply focused on the question, write fluently and use critical concepts and terminology accurately and consistently, you will hit this objective. The following sections explore the skills you will need to demonstrate mastery of the two most heavily weighted AOs in more detail:
-
Incorporating context (AO3)
-
Making comparisons (AO4)
Incorporating context (AO3)
It is important to remember that incorporating context does not mean memorising large chunks of historical material and reproducing this in your answer. Instead, contextual exploration must be woven into your comparative analysis in an integrated manner, and always be linked to both the texts and the focus of the question.
Remember, the “context” will be given to you in the statement in the question. For example, if the statement relates to “female victimhood” in Gothic writing, then the contexts you are considering are the literary context of Gothic literature, and the associated exploration of the idea of “female victimhood”. If the task asks you to explore the idea of a changing, restless society in American Literature, then the contexts you are considering are the literary context of American literature and the social and political contexts of American society.
Examiner Tips and Tricks
It is a good idea to start your answer by giving the examiner a working definition of the key focus in the question. This means demonstrating to the examiner that you understand what the key focus means. For example, if the proposition suggests that a key feature of dystopian regimes is the process of indoctrinating its citizens into its ideology, then start your response by demonstrating to the examiner that you understand what indoctrination means in the context of dystopian literature.
You should also set out from the start which other text you are going to use for your comparison with the core text, and your position in relation to the proposition.
For example: “As indoctrination means to condition a group of people into believing unquestioningly in a collective idea, then this is indeed a key feature of dystopian literature, and seen in texts such as Orwell’s 1984 and Atwood’s The Handmaid’s Tale. However, whether that process of indoctrination actually works for all of the citizens in these worlds is questionable.”
Literary context
Depending on your chosen topic, you may wish to consider the following “typical” genre conventions, but again with the caveat that concentrating on a pre-prepared list of “features” typical to the genre will not gain extra credit unless you remain specifically focused on the statement given to you in the question.
American Literature
|
Genre feature |
Contextual considerations |
|
Cultural diversity |
|
|
Class |
|
|
The American Dream |
|
|
Social mobility |
|
|
Historical context |
|
The Gothic
|
Contextual area |
Contextual considerations |
|
Presence of the past |
|
|
Unusual narrative voice/viewpoint |
|
|
Suspense |
|
|
The supernatural |
|
|
Dark humour |
|
|
Female victimhood |
|
Dystopia
|
Contextual area |
Contextual considerations |
|
Setting |
|
|
Dystopia or fallen utopia |
|
|
Satirical purpose |
|
|
Narrative approach |
|
|
Totalitarian regimes, oppression and surveillance |
|
Women in Literature
|
Contextual area |
Contextual considerations |
|
Attitudes towards women |
|
|
The female viewpoint |
|
|
Marriage |
|
|
Women in the workplace |
|
|
Women as defined by men |
|
The Immigrant Experience
|
Contextual area |
Contextual considerations |
|
Linguistic confusion |
|
|
Generational conflict |
|
|
Social mobility |
|
|
Prejudice/discrimination |
|
|
Staying true to cultural roots |
|
Social, political and historical contexts
AO3 asks you to consider and explore the contexts in which literary texts are written and understood. You might therefore find the following questions useful to consider:
|
When was the text written? |
Where and when is the setting of the text? |
What problems (social/economic/political) can you see in the text and do these reflect any social, political or economic problems or issues at the time and place of writing? |
|
Who has the power in this text? What social issues does this represent? |
How might the date of publication relate to events in the text or its setting? |
What social issues are presented in the passage? How does the author engage with gender, race and/or class? |
|
What are the gender dynamics in the passage? Do these reflect anything about the time of writing? Has anything changed? |
How was the text received at the time of publication, versus how is it received today? |
Have attitudes towards the text changed over time? |
Making comparisons (AO4)
AO4 requires an integrated comparative analysis of the relationships between texts. This means that you are required to explore contrasts, connections and comparisons between different literary texts within your chosen topic area, including the ways in which the texts relate both to one another and to literary traditions, movements and genres. The best responses pick up on the prompt words within the quotation given in the task and then select material accordingly. In this way, by sustaining a coherent, question-focused argument throughout, comparison becomes a technique through which the texts can be used to shed light on each other, both in terms of similarities and differences.
Examiner Tips and Tricks
It is better to choose one other text, as well as the core text, to form the basis of your response, and allow references to others to appear briefly as literary context. If you try to write in detail about too many texts you will struggle to produce a coherent, detailed and sustained argument. It is also a good idea to set out your main points of comparison in your introduction.
The example below shows how you might begin to approach comparing Margaret Atwood’s The Handmaid’s Tale with one other prescribed text, based on the following past paper question proposition:
|
Proposition |
The imagined settings of dystopian novels reflect the social and historical contexts in which they were written |
|
|
Similarities and differences < |
||
Responses