Back to 课程

Business_A-level_Edexcel

0% Complete
0/0 Steps
  1. 1-marketing-and-people

    1-1-meeting-customer-needs
    3 主题
  2. 1-2-market
    5 主题
  3. 1-3-marketing-mix-and-strategy
    5 主题
  4. 1-4-managing-people
    5 主题
  5. 1-5-entrepreneurs-and-leaders
    6 主题
  6. 2-managing-business-activities
    2-1-raising-finance
    4 主题
  7. 2-2-financial-planning
    4 主题
  8. 2-3-managing-finance
    3 主题
  9. 2-4-resource-management
    4 主题
  10. 2-5-external-influences
    3 主题
  11. 3-business-decisions-and-strategy
    3-1-business-objectives-and-strategy
    4 主题
  12. 3-2-business-growth
    4 主题
  13. 3-3-decision-making-techniques
    4 主题
  14. 3-4-influences-on-business-decisions
    4 主题
  15. 3-5-assessing-competitiveness
    3 主题
  16. 3-6-managing-change
    3 主题
  17. 4-global-business
    4-1-globalisation
    5 主题
  18. 4-2-global-markets-and-business-expansion
    5 主题
  19. 4-3-global-marketing
    3 主题
  20. 4-4-global-industries-and-multinational-corporations
    3 主题
  21. 5-exam-technique
    5-1-the-exam-papers
    4 主题
  22. 5-2-business-studies-skills
    1 主题
  23. 5-3-structuring-your-responses
    5 主题
  24. 6-pre-release-preparation
    2025-pre-release-music-industry
    9 主题
课 Progress
0% Complete

Growth strategies

  • Digital transformation and platform expansion

    • UK retailers and distributors have increasingly moved online to reach consumers through streaming, digital downloads and direct-to-consumer (D2C) platforms

      • HMV focuses on a vinyl-heavy product mix and event-based experiences in its stores, promoted through HMV Live

      • Its website is the number one online vinyl retailer in the UK

      • Amazon.co.uk allows customers to access purchased music on its Amazon Music subscription platform

    • Businesses like Spotify and Apple Music have invested heavily in developing their global presence

      • For example, Spotify is now active in over 180 countries

  • Mergers and takeovers

    • UK-based indie labels are often acquired by larger distributors or labels

      • For example, Warner Music Group bought UK indie label 300 Entertainment and Universal Music Group regularly acquires rights to high-profile artist catalogues (e.g. Queen, Bob Dylan)

    • Mergers and takeovers increase the market share of record labels, strengthen their catalogues and give them more negotiating power with digital platforms such as Spotify

  • Vertical integration and diversification

    • Record labels are increasingly involved in areas such as merchandise, ticketing and social media content production

      • For example, Sony Music and Universal Music have launched their own in-house branding and creative services to support artists

  • Niche market growth and localisation

    • Growth has also come from the resurgence of niche products, especially vinyl.

    • The UK saw over 5.9 million vinyl records sold in 2023, the highest in 30 years

    • Independent record shops (like Gatefield Sounds and Rough Trade) contribute to growth by targeting specific demographics and creating experiences rather than competing on price

Key business objectives

  • Increase in market share

    • For global platforms like Spotify, growing the number of users (free and premium) is critical

      • In the UK, Spotify holds a leading share of the streaming market (around 58% in 2023)

    • Record labels aim to expand shelf space in major retailers such as HMV or increase artist placements on streaming playlists

  • Profitability and sustainable revenue

    • Streaming offers recurring revenue through subscriptions but lower revenue per stream

    • Record stores look to increase profitability through bundling (album + event), exclusive vinyl releases and participation in events such as Record Store Day

  • Customer retention and brand loyalty

    • Subscription models (e.g., Spotify Premium, Amazon Music) depend on customer retention

    • They invest in user experience such as personalised playlists and artist exclusives

    • Independents focus on loyalty through community events, knowledgeable staff and strong branding (e.g. Banquet Records’ integration with local gigs)

  • Artist development and catalogue expansion

    • Labels pursue growth by signing emerging artists and acquiring back catalogues

      • This fuels long-term streaming revenue and licensing potential, such as Netflix/TV deals

    • For example, Beggars Group, a UK indie label collective, invests heavily in long-term artist development over short-term hits

Challenges to growth

  • Even though the music industry is growing, especially with streaming, there are still many problems that can make it harder for music businesses to grow

  • These are some of the biggest challenges

Challenge

Explanation

Example

Too many competitors (market saturation)

  • There are already lots of companies offering music in the UK, like Spotify, Apple Music, Amazon Music and YouTube Music

  • Most people who want to stream music already have an account, so companies are now fighting over the same customers

  • It’s harder for new businesses to enter the market or for small firms to grow

  • Spotify is the most used music app in the UK

  • Smaller streaming services like Deezer or Tidal struggle to compete

Changes in how music is consumed

  • People don’t buy CDs as much anymore and often listen to short clips on social media (like TikTok or Instagram Reels)

  • Younger listeners might hear just 15 seconds of a song before deciding if they like it

  • This means artists and music businesses must promote songs differently, and it’s harder to keep fans’ attention

  • The song “Old Town Road” by Lil Nas X became famous on TikTok before it was played on radio or sold in shops

Artists not being paid fairly (low royalties)

  • Musicians earn very little each time someone streams their song

  • Most of the money goes to the big platforms or record labels

  • This causes arguments in the industry, and some artists feel they are being treated unfairly

  • A UK campaign called Broken Record is asking for artists to be paid more fairly from streaming

  • In 2022, the UK’s Competition & Markets Authority announced a study into the structure of the music streaming market

Illegal downloading and stream ripping

  • Even though more people use legal services like Spotify, some still use illegal websites to download or copy songs for free

  • This means the music business loses money and can’t invest as much in new music or artists

  • In the past, websites like LimeWire or Pirate Bay were very popular for free music downloads

  • Nowadays ‘stream ripping’ from YouTube is a significant problem

Harder for small shops to survive

  • Independent record shops (like Gatefield Sounds or Spillers Records) have to compete with big online stores like Amazon

  • Rent, wages and bills are rising, and not all small shops can afford to keep going without local support

  • In 2023, Faversham’s Creekside Vinyl closed down because of rising costs and fewer customers after COVID-19

Responses

您的邮箱地址不会被公开。 必填项已用 * 标注